SUNDANESE DANCE
            Like 
              Javanese dancing, Sundanese dancing has also passed through tile 
              following periods of development explained in previous chapters, 
              viz.: the Period of Primitive Society, Feudal Society, and Modern 
              Society. 
            In 
              the Period of Primitive Society the development of dancing throughout 
              Indonesia was the same. Dances in West Java were still magical and 
              sacred and in accordance with the primitive social structure of 
              the time, they must have been very primitive too. 
            During 
              the Period of Feudal Society which began with the influence of Indian 
              culture on Indonesia, dancing in Indonesia developed satisfactorily. 
              This favourable development was not evenly spread, however; it took 
              place only in certain regions. The reason for this was that at that 
              time the centres of cultural development were only the kingdoms, 
              or even smaller still, the palaces, causing the dances to be feudal 
              in nature. 
            In 
              this period, dancing in West Java developed most favourably into 
              a style of its own called West Java style or Sunda style. West Java 
              during this period was the centre of the Hindu-Indonesian and Islam-Indonesian 
              kingdoms, which were then the centres of development of dancing, 
              Sunda style. The oldest Hindu-Indonesian kingdom was also in West 
              Java, the kingdom of Tarumanegara  
              This kingdom however did not develop as rapidly the Hindu Indonesian 
              kingdoms in Central Java. After the kingdom of Tarumanegara had 
              disappeared, the Hindu-Indonesian kingdom of Pajajaran took its 
              place, but lasted only a couple of centuries. Apart from this, another 
              Hindu-Indonesian kingdom, the kingdom of Banten, emerged in the 
              western part of the island of Java. 
            From 
              the Hindu-Indonesian period there have not been remains in the form 
              of temples as in Central Java and East Java. Most of the religious 
              buildings in West Java might have been built of wood, so that they 
              were quickly damaged. 
            As 
              explained in chapters 11 and III, dancing was considered important 
              in the religious life of the Hindu-Indonesian because in the Hindu 
              religion, dancing is a very important part of their ceremonies. 
              We can therefore say that the development of dancing in West Java 
              during the Hindu-Indonesian period paralleled that in Central Java 
              and East Java. 
            When 
              the Hindu-Indonesian kingdoms in Indonesia, with the exception of 
              Bali, collapsed about 1500 A.D., and when the Islamic period began 
              there were also two great Islamic kingdoms in West java the kingdom 
              of Banten (formerly a Hindu kingdom) and the Cirabon kingdom. 
              'Historically speaking, the conversion of Banten and Cirebon to 
              Islam was chiefly due to the Islamic kingdom in Central Java, the 
              kingdom of Demak. It was therefore not surprising that the influence 
              of Central Java on the two kingdoms in West Java was very great, 
              increasing even more when the Islamic kingdom began to move its 
              centre to the middle of Central Java (the kingdom of Mataram). 
              The influence of Central Java on West Java was manifested especially 
              in the field of culture, among other things gamelan 
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